Linking Up Collagraph Pieces
It has taken awhile to get to this stage as I wasn't able to get certain supplies, however I have now strung up all my collagraph suits...
It has taken awhile to get to this stage as I wasn't able to get certain supplies, however I have now strung up all my collagraph suits...
Just before the fourth lockdown went into effect I did some final prints of the hands. Keeping to the same colours as last time as I'm...
In my second printing I settled with the previous colours I had used for printing the armour, and began printing the pieces so as to cut...
This first round of printing was predominantly about colour experimentation. The two hands I did, I am not happy with their colours, I...
Using procreate and my initial designs I altered levels and curves, do come up with possible colour compositions for my collagraphs. I...
For the final step before printing the plates needed to be coated in shellac. Thus at intervals of twenty minutes I coated each plate...
Texture on Hands: - lace - cutting and tearing of paper layer - tissue paper and glue - ribbon Texture on Armour: - lace - cutting into...
Taking my sketches I printed them out and stuck them onto either screen board or a cereal box. I then cut out the forms using a knife....
Some sketch ideas for collagraphs. I wanted to continue with the fantastical imagery present in my monoprints, so I drew out some clawed...
Some quick sketches I've made as plans for complete frottage pieces. The first image is the one I will be completing as a a full work in...
While I was quite happy with the additions I made last week with the red ink, I still felt I wanted to add something that would tie...
In response to what I wanted to change with my first round of monoprinting, I decided to print this week using a variety of shades of...
Process: to begin making these first layers of my monoprints I cut out various stencils relating to place, as seen in the first image,...
Small pieces of frottage in response to the theme of place. Using baking paper and a regular graphite pencil, I took several rubbings...
My initial sketches responding to the theme of place. Taking imagery from around my room and my commute to university on the tram.
In order to create my monoprints, I first needed to grasp how I would conceptualise the theme of place in relation to myself. I did this...